Digital illustration of a card table viewed from above, scattered with ornate playing cards — queens, jacks, and number cards in deep red and green. At the center sits a large grenade, rendered with unsettling calm amid the domestic scene. Green-tinted hands reach in from the edges. A second grenade rests to the right. Dark, richly detailed art style. The image undercuts the word "friendly" — a loaded game, a family gathering with danger hiding in plain sight. Digital tools included Krita & AI.

Family, God & Vodka Neat…? My Autistic Elder’s Truth


A comet, an ice storm, a cooped-up family drinking game… a pattern I can’t unsee.

“A Friendly… Family Game of Cards,” illustration by author, Digital tools included Krita & AI.

She gathers reports from her children. This year’s fugue & pedal point, her table a feast of sand. Youngest Mark files his, a new open source project… “I’m really getting seen.” Lifting my glass to him from the dark walnut table, I sip vodka… neat.

Content Note:

  • Explicit language, family trauma, religious themes, substances, mental health struggles, cult references.

Today, I intertwine my birth family, religion, and the dynamics of control. Against the backdrop of real events from my winter of 97–98. When the Hale-Bopp comet was fading in the Northern New York skies. And the memory of the Heaven’s Gate suicide cult was still fresh in the national mind.

This is a hybrid piece. In my mind it’s a movie… with scenes, background music, jump cuts. But, you guys probably loved Pulp Fiction. Given that, I pray you can follow me in this one.

11:27 minutes, high-res video, with full hand-cut poetic captions supporting audio processing.”

Is listening more your thing? Pick your app: Apple, Spotify, Overcast, YouTube.

Classical marble sculpture of a woman holding a child, both in flowing robes, seated in candlelit ornate interior. Neoclassical style evokes traditional maternal iconography while the figure's downward gaze and posture suggest ambivalence or burden—reflecting the article's exploration of complex family relationships, unwilling duty, and honest reckoning with inherited faith and expectation. Digital tools included Krita & AI.
“Reluctant Madonna,” illustration by author, Digital tools included Krita & AI.

Sneaking my mother’s creepy g-d on high

Prelude, December 1997.

ESTABLISHING SHOT

I begin, “There…
There’s Heaven’s Gate.”
She fiddles with the binox dials.

“Where should I look?”
She asks breathless,
Trudging bootless.
I barely hear her
Over the crackling snow
Beneath my feet, but say,

“There…
That smudge in the sky.”
I point again.

UFO Cult Chooses Suicide,
The TV said.
Thirty-nine bodies
In matching Nikes,
The photo read.
No Kool-Aid on crime scene,
The coroner led off…

I close wet eyes
To the hiss & sizzle
Of the Northern Lights
Over my head,

Silence

Then the cold murmur
of the cold mother…
“That’s why they died?”
She shrugs.

My eyes open… careful, I shrug,

“Maybe… they saw a signal from aliens.
Or maybe God on high.
Who knows what grimdark sign
They read that silent night…”

Wordless, clueless… a comet sailed
Ribbons of green and purple light.
One cold blue, one hot pink tail
Fading from history’s sight…

So we stroll on into
Fake New Year’s dinner
Cuz not everyone
Could schedule in
The Real One.

How rare it is
A two-tailed comet in the sky,
A lover doesn’t lie with her eyes,
To greet one free man before you die,
How rare it is
How rare it is

 Six formally dressed figures seated around an elegant dining table laden with sand-filled plates instead of food, in a room with ornate gold walls, red velvet curtains, and blue windows. Contemporary digital illustration with art deco styling. The surreal substitution of sand for sustenance visually embodies the article's themes of deprivation, hollow expectations, and the emotional starvation within family dynamics—relating to unfulfilled promises and the gap between what families present and what they actually provide. Digital tools included Krita & AI.
“A Feast of Sand,” illustration by author, Digital tools included Krita & AI.

Dinner Music

POINT-OF-VIEW SHOT

my mother in a halo of candles
my mother wrapped in smoke
my mother in dark shadows
measuring the length of my rope

She gathers reports from her children
This year’s fugue & pedal point,
Her table a feast of sand.

Youngest Mark files his,
A new open source project…
“I’m really getting seen.”
Lifting my glass to him
From the dark walnut table,
I sip vodka… Neat.

Martha next, from her foreign outpost
A well-received talk given…
Vodka. Neat.

Second-oldest Luke comments,
Wearing a dead father’s mantle
“So proud of this my family
Progress on nearly every front.
John, you seem…
Well, better… strangely.”
Yeah. Vodka. Neat. And deep.

Mary reports a year in faith.
Jesus gave her home.
Jesus gave her kids.
Jesus gave her strength… alone.

I close my eyes in frustration
See only those twin tails
Sailing in that dark…
No wine, no wafer
Just vodka. Neat.

The broken mother nods,
Waves a weary hand at each.
Then turns to me,
Product of her first postpartum,
Eldest stranger at her table.
She faintly smiles…, “John?”

This last-invited autist
Drunk to a numb survival
Starts slow… and slurred,
“Ya know…?
Never… believed… in heroes.
Those guys & their comet?
They did.”

I hear hands tense,
Casual wear shift & rustle,
Eyes crinkle & narrow…
Familiar, family sounds.

My runaway train
picks up steam
plunging on and into
a dark tangential tunnel

“A part of me rejects a g-d
born perfect without sin,
casually tossing miracles
like candy & coins… sublime
from a gaudy Mardi Gras float
To kids playing in the grime…”

I gulp a breath.

Silence

a child, high on a stone altar
a hand… a knife in mid air…
a sacrifice for appearances
like thirty-nine bodies
in matching Nike pairs…

How fair is it
Jesus
and Jim Jones
Both got emails from Beyond,
Love rusts til
It’s just one more bond,
Your soul’s released when
Your last day’s dawned,
How fair is it
How fair is it

Three panel, moody seinen manga comic strip illustration in stark monochromatic teal with bold comic book lettering. Panel one: full vodka glass captioned "I sip vodka. Neat." Panel two: shot glass captioned, “Vodka. Neat.” Panel three: empty glass cradled in hands captioned above, "Yeah. Vodka. Neat..." Captioned below, "...And DEEP." The progression visually charts escalating alcohol consumption with darkening tones, reflecting the article's exploration of family coping mechanisms, inherited patterns of self-medication, and how survival strategies deepen over time. Digital tools included Krita & AI.
“Ya Gotta Drink…,” illustration by author, Digital tools included Krita & AI.

Interlude, January 1998

FLASH CUT

Couple weeks later
Ice Storm of ‘98.
A friendly… family,
Game of cards.

Frozen in time, frozen in mind
Aunts, uncles and cousins
No one’s got power, trapped…
Cabin, cards, liquor… discussions.

Killing time… 3 days…
Instead of each other.

Oh shit. Oh. Shit…
There goes that bid
I swore I could make.
Under my breath… “Damn it to Hell.”
Then head down, out loud,
“Oh, Shit.”

I’m staring at the hand they dealt.
So many near-miss combos
So many runs that went nowhere…
“My bad. I shoulda played that 9
My mind’s off wandering again
Let me grab that back. This time.”

“No…
You gotta drink …
Ya gotta drink!
This time…
Every time!”

Rinse repeat
Mistake over mistake
Vodka neat, vodka neat
Vodka…

I… wake to… laughter

“Uncle Johnny, you’re the dude
From stuck up cunt
To puking your shoes.
Man, can you let go… when you want.”

And let go… I did.

A distracted juggler drops his satin ball,
A drunken knife thrower ties assassins & assistants to the wall,
The smoking fortune teller wheezes, “Doom finds us all,”
A Ring Master’s whip echoes through an emptying hall….

Digital illustration of a card table viewed from above, scattered with ornate playing cards — queens, jacks, and number cards in deep red and green. At the center sits a large grenade, rendered with unsettling calm amid the domestic scene. Green-tinted hands reach in from the edges. A second grenade rests to the right. Dark, richly detailed art style. The image undercuts the word "friendly" — a loaded game, a family gathering with danger hiding in plain sight. Digital tools included Krita & AI.
“A Friendly… Family Game of Cards,” illustration by author, Digital tools included Krita & AI.

Cadenza, for the End of Time

EXTREME WIDE PANNING SHOT

My catechism asked
Why did that g-d make me?
And I ask
Why did this unbonded mom have me?
To both cluck in disappointment?
Over commandments
I was born
Unable to follow…?

To follow a comet into…
Desperation
Dissolution
Suicide
And the Peace…
Of no need for understanding?
Ever again?

There is no hero
No god
No bodhisattva
No parent…
That does not hide
The dazzling Confusion
In a burning bush

Or explains to me
Like I’m a five-year old
Why that twin-tailed comet
Still sails across my mind

How rare it is
To find a god
Doesn’t want more
Than he gave,
A lover who can stay…
Even while I rave,
A man who can live
Not caring if he’s saved,
How rare it is.
How rare it is.

Blurred stone statue of a seated child bent forward, face cradled in hands, dominates snowy foreground. Behind, a solitary figure in winter coat gazes upward at a dramatic purple-and-white cosmic sky with luminous moon and rays of divine light. Digital illustration in ethereal style with Krita & AI. The juxtaposition... grieving stone child below, transcendent celestial spectacle above... visualizes the article's core tension: inherited religious narrative demanding upward faith while the child's anguish remains frozen, unseen, unwitnessed.
“Sneaking Your Mother’s Creepy G-D on High,” illustration by author, Digital tools included Krita & AI.


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every clock is a handgun pointed at my head, art, poetry, and raw neurodivergent truth. Thirteen pieces. One autistic life, unfiltered. Available on Amazon

Subscribe to AutisticAF Out Loud… free or paid… and get the full PDF in your inbox. On me. #AutisticAF Out Loud Newsletter: One Voice. Raw. Real. Fiercely Autistic.


I’m an autistic poet and spoken word performer, diagnosed at 63. Now in my 70s. I’ve been publishing AutisticAF Out Loud since 2019… work that refuses to be packaged.

My spoken word piece , every clock is a handgun pointed at my head, was published in Wordgathering, a journal of disability poetry & literature. In 2022, I spoke at the UN World Autism Acceptance Day about my illustration work rooted in autism & ADHD.

I live in a rural Indiana trailer… across the courtyard from my wife’s trailer… with my 2 dogs & cat. Occasionally I shave… to face Walmart.

The algorithms hate me. I must be doing something right.

#SpokenWord #AutismAcceptance #AutisticPoetry


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One response

  1. I Don’t Think I Had a “Personality” as an Autistic Kid

    […] Especially, “fun times”… They’re the real killers.Parties.Intimate conversation…Shudder.Family holidays? So nightmarish, I wrote the 7-page narrative poem sneaking my mother’s creepy g-d on high. […]

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